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The Sky Remembered the Touch of Our Unfinished Goodbyes by Lysa Orion Rehn 5

The Sky Remembered the Touch of Our Unfinished Goodbyes by Lysa Orion Rehn 5

Chapter 5

Aiden’s POV

While Father was greeting the other guests, I had no interest in the boring adult conversations. I left the crowd and walked around.

My attention drifted to the displayed pieces throughout the interior design showcase. Most were predictable—overly ornate lighting fixtures, sculptural furniture more suited to galleries than homes. But one collection caught my eye—a series of minimalist home organization solutions that seemed both elegant and functional.

“Wright Creatives,” I read from the small plaque, examining the clean lines and innovative storage concepts. The designer credit read “Cedar Wright.” Interesting—the design language was distinctly different from Wright Creatives’ usual ornate aesthetic. The pieces demonstrated sophisticated spatial understanding while maintaining accessibility. A difficult balance most designers failed to achieve.

A vibration from my pocket interrupted my assessment. Glancing around to ensure no one was watching, I slipped toward the balcony doors.

“Report,” I said quietly to the man waiting in the shadows.

Henderson, my personal assistant, straightened. “Young Master, we’ve tracked Master Oliver’s location to the Wicker Park district.”

A mixture of relief and irritation washed through me. It had been two days since Oliver’s disappearance. Father’s stoic expression couldn’t hide his growing concern.

“Which specific building?” I kept my voice level, though a hint of frustration slipped through.

“He’s remained within the same block, but we haven’t pinpointed the exact apartment yet. We’ve narrowed it to a five-story building on North Damen Avenue.”

I processed this information, weighing options. “Increase surveillance but maintain distance. Absolute discretion is essential. If anyone discovers Oliver’s identity or location before we’re ready, the media attention could be problematic.”

Henderson nodded. “We’ve also verified Master Oliver is safe and appears… content.”

That last word caught my attention. Oliver was rarely content, especially at home.

“Continue monitoring. Focus resources on the Wicker Park location, but ensure security remains invisible. And Henderson—not a word to Father about this. Understood?”

“Yes, Young Master.”

I felt it then—the weight of eyes on my back. Turning smoothly, I scanned the glass doors leading back into the ballroom. A woman in a simple blue dress stood half-illuminated by the ballroom’s golden light, observing me.

My first instinct was annoyance at being caught during a private conversation. But as our eyes met, something unexpected happened. She smiled—not the calculating smile adults typically offered, but something genuine. Warmer.

I studied her with practiced precision. Mid-twenties, simple but quality attire, posture suggesting quiet confidence rather than social ambition. Her eyes held a curious gentleness that seemed strangely… familiar.

“Aiden.” Father’s voice broke my assessment as he appeared in the doorway. “The showcase presentation is about to begin.”

He followed my gaze toward the woman and then turned his attention back to me.

“Have you located Oliver?” he asked, voice low enough that only I could hear.

“He’s attending an outdoor exploration camp,” I replied without hesitation. “Poor signal reception in the area. I’ve confirmed he’s safe.”

Father’s eyes narrowed slightly. “Don’t cover for him, Aiden. I know he’s acting out because of my disciplinary measures.”

“Perhaps your reaction to the paint incident was excessive,” I suggested carefully.

“The Sterling Gallery opening was not the appropriate venue for creativity,” Father replied, his tone final. “We’ll discuss this later. I need you to oversee the new residence series when we return. Your eye for detail will be valuable.”

I nodded, slipping into our familiar business discussion, outlining potential approaches for the project while Father listened with serious consideration. Most adults found it disconcerting when I spoke about design principles or market positioning, but Father had always treated my insights with respect.

Cedar’s POV

I listened as guests crowded around Mr. Sterling with plastered-on smiles, introducing their companies while he responded with professional nods. When Elara and Jonathan finally began presenting our company and introducing Selena, his gaze slowly shifted our way. He glanced briefly at Selena before his eyes unexpectedly settled on me.

I was caught off guard, smiling awkwardly as I met his gaze. The moment our eyes connected, I felt an electric jolt, my heartbeat quickening. Only then did I truly take him in—his chiseled jawline, piercing dark brown eyes, and broad shoulders perfectly framed by his tailored suit. His dark hair was styled with just the right amount of casualness to contrast his otherwise polished appearance.

His brow furrowed slightly as he studied me for what felt like an eternity before finally looking away. My gaze remained fixed on him, as if magnetically drawn, until he broke the connection. For reasons I couldn’t explain, he gave me an overwhelming sense of familiarity, though this was definitely our first face-to-face meeting.

When I finally turned away, I immediately met Selena’s look of disgust. Ignoring her, I slipped away from the crowd toward a more open area of the exhibition.

From my position near the design displays, I observed the curious tableau on the balcony. The little boy who was beside Ridley Sterling before, stood conversing with a security guard with an authority that seemed impossible for his age. His posture, the tilt of his head, even his hand gestures mimicked his father’s perfectly.

When he caught me watching, I expected childish embarrassment. Instead, his assessment was cool and methodical, as though cataloging every detail of my appearance. I couldn’t help but smile at this miniature businessman.

I watched as Ridley Sterling joined his son, their interaction more like colleagues than father and child. Even their conversation seemed formal, lacking the natural warmth of family. Something about that made my heart ache.

Realizing I had been staring at them for too long and might seem rude, I walked away. I needed to use the restroom anyway. The evening had been utterly monotonous—these social gatherings weren’t really my thing. Maybe splashing some water on my face would help me feel better.

As I approached the restroom, I heard Elara’s voice from inside, pitched low but clear enough. “Make sure Cedar goes to Brad’s private box tomorrow night. The drink will be prepared in advance.”

I froze, hand on the door.

Selena’s voice followed, dripping with malice. “Once Cedar drinks it, she’ll be ‘compliant enough’ for Brad’s taste. He’ll be very satisfied.”

“And when Brad is satisfied,” Elara continued, “the $8 million contract he promised will be ours. Cedar only needs to sacrifice one evening.”

My stomach lurched violently. They were planning to… to drug me? To essentially trade me to Brad Wilson for a contract? The cold calculation in Elara’s voice made it clear this wasn’t an impulsive decision.

I backed away silently, my hands trembling. After everything I’d done for Wright Creatives—the late nights, the award-winning designs, the client relationships I’d carefully built—I was nothing more to them than a commodity to be traded.

I need to get out of here.

My vision blurred as I hurried down the hallway. My entire relationship with the Wright family crystallized in that moment—I’d never been a daughter to them, only an asset. A tool. A transaction.

Lost in my spiraling thoughts, I didn’t notice the solid presence before me until I collided with a firm chest, strong hands steadying my shoulders as I stumbled backward.

“I apologize, I wasn’t—” I began, then looked up into the cold, assessing eyes of his.

The Sky Remembered the Touch of Our Unfinished Goodbyes by Lysa Orion Rehn

The Sky Remembered the Touch of Our Unfinished Goodbyes by Lysa Orion Rehn

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Status: Ongoing Type:
The Sky Remembered the Touch of Our Unfinished Goodbyes by Lysa Orion Rehn

“The Child at Her Door”

Opening Scene — The Weight of Expectation

The story opens in a mirrored elevator climbing through a luxury hotel in downtown Chicago. Cedar Wright, twenty-six, straightens her gray pantsuit and rereads the text glowing on her phone screen:

[Don’t mess this up. This partnership is vital for the company.]

It comes from Jonathan Wright, her adoptive father and CEO of Wright Creatives, an elite design firm. The message is brief, sharp, and utterly typical of him—no encouragement, no trust, only pressure. For Cedar, it’s another reminder that, no matter how long she’s carried the Wright name, she remains an outsider expected to prove her worth.

As the elevator rises, each number on the panel feels like a countdown to judgment. This meeting with Brad Wilson, general manager of Wilson Group’s investment division, could determine the future of the family business—and, by extension, Cedar’s fragile standing within the Wright household. Her entire career, perhaps even her right to belong, rests on convincing a man who already doubts her.

The scene establishes not just a business deal but a personal trial. Cedar is not simply a young executive chasing success; she is a woman carrying the invisible weight of being adopted into ambition—someone raised to serve as both symbol and scapegoat for a powerful family’s public image.


The Meeting — Integrity vs. Corruption

Cedar’s meeting with Brad Wilson begins with professional politeness. She presents her portfolio, explains Wright Creatives’ design concepts, and outlines their market strategy. Her voice is steady; her arguments sound rehearsed yet sincere. For the first half hour, everything appears promising. Wilson nods, takes notes, and compliments her research on sustainable design—one of the firm’s key selling points.

Then the tone changes.

Wilson’s smile lingers too long. His chair edges closer. His questions drift from numbers to personal comments—her dedication, her appearance, her “ambition for success.” The air in the conference suite thickens with unspoken expectation.

Finally, he says it outright. “Your work is impressive,” he murmurs, lowering his voice, “but I need a little personal assurance before I commit the funds.”

When his hand brushes her arm, Cedar freezes. The line between business and harassment shatters in an instant. Years of professional discipline clash with the instinct to recoil. Yet she keeps her composure, standing straight and calm.

Her answer is simple but firm:

“Mr. Wilson, our proposal stands on its business merits alone. My personal time isn’t part of this negotiation.”

The refusal strips away Wilson’s pretenses. His expression turns cold. “You’re naive about how business works at this level,” he sneers.

Cedar closes her portfolio with measured dignity. “If that’s your condition for partnership, then our meeting is over.”

She leaves, heart pounding but head high. Wilson’s final words—“You’ll regret this decision”—echo behind her like a curse. She knows exactly what that means: he’ll call Jonathan. The deal will collapse. Her father will blame her. And yet, as she steps out into the rain, she feels a fragile spark of pride. For once, she has chosen integrity over fear.


Rain and Reflection

Outside, the world mirrors her turmoil. The sky has opened, rain spilling down the glass facade of the hotel. Cedar stands under the awning for a moment, watching cars hiss by on wet pavement. Her phone buzzes: three missed calls from Jonathan. She silences it. She’s not ready to face his fury.

As she orders an Uber to her apartment in Wicker Park, she notices how far that neighborhood feels from the Gold Coast, where the Wrights’ world exists—elegant, spotless, and cold. The physical distance between those two neighborhoods captures the emotional gulf between Cedar and her adoptive family. One side of the city glitters with status; the other simply survives.

In the Uber, raindrops race down the window like time she cannot stop. Her mind replays the last few months:

  • She’d secured a new sustainable-materials contract that cut production costs by fifteen percent.

  • Architectural Digest had published a feature mentioning her work—praise Jonathan instantly claimed as a “tribute to the Wright family legacy.”

Each success had been absorbed by the family’s brand, leaving Cedar invisible. Her achievements belonged to “the Wrights,” not to her.


Family Portrait — Love with Conditions

Cedar’s thoughts turn bitterly toward home. Jonathan is not the only one who undermines her. Elara Wright, her adoptive mother, hides cruelty behind composure. At a recent meeting, Elara’s biological daughter Selena presented Cedar’s bathroom-fixture design as her own. When Cedar protested, Elara silenced her with a stare sharp enough to draw blood.

“Family supports family, Cedar. Don’t be difficult.”

The words were delivered with polished civility, but their meaning was clear: know your place.

“Family.” The term has always been conditional for Cedar. She was adopted not from affection but from appearance—an orphan chosen to complete the picture of generosity that the Wrights sold to the world. In private, she was constantly reminded: You should be grateful we took you in.

At twenty-six, gratitude has become a chain. Every accomplishment must be payment for love that never truly existed.


Arrival Home — The Storm Outside and In

When the Uber stops, Cedar steps into heavier rain. Her modest building, a converted brownstone with creaky wooden stairs and tall windows, welcomes her like a quiet ally. It’s small, imperfect, but hers—the only space in Chicago that doesn’t judge her surname.

She fumbles with her keys, her mind already rehearsing how to tell Jonathan she has lost the Wilson deal. Then she notices something unusual near the doorway: a small, motionless figure crouched beside the steps.


The Boy in the Rain

A child—no older than six or seven—sits huddled against the wall, soaked through and trembling. His oversized navy hoodie clings to his tiny frame.

Cedar hesitates, instinctively softening her voice. “Hey there,” she calls. “Are you lost? Where are your parents?”

The boy lifts his head, and time seems to slow. His eyes—brilliant blue, clear even through tears—are eerily familiar. Something deep within her stirs, an unnameable recognition.

“Mommy, you’re finally back.”

The words strike like lightning. For a second, Cedar thinks she’s misheard him. She kneels down. “Sweetheart, you must be mistaken. I’m not your—”

But he continues, voice shaking: “They said you were dead, but I knew you weren’t. They’re liars.”

He sneezes, curls tighter, shivering violently. The rain has drenched him completely. Cedar touches his forehead—he’s burning with fever.

“Sweetheart, you’re very sick,” she says gently. “Let’s get you inside. We’ll call your parents.”

The boy sniffles. “Don’t have parents,” he whispers. “Just a father. He doesn’t want me anymore.”

The sentence slices through Cedar. He doesn’t want me anymore. She hears her own childhood echo in it—the endless years of trying to be wanted.

Then the boy looks up again, eyes glassy with fever but filled with fragile hope. “I have you now. I knew if I found you, everything would be okay.”

Before she can answer, he wraps his tiny arms around her waist. The embrace is desperate, pure, and heartbreakingly trusting.


Instinct Over Logic

Cedar’s rational mind screams that this must be a misunderstanding. Yet her heart refuses to push him away. The look in his eyes dissolves her defenses.

She asks softly, “What’s your name?”

“O-Oliver,” he says between sneezes.

“Okay, Oliver,” she murmurs. “We’ll get you warm and dry first, then figure everything out.”

“Can I stay with you?” he pleads. His small hand clutches her thumb. “Please don’t send me away.”

Before she can respond, his knees buckle. She catches him just as he faints, his forehead hot against her shoulder. Without thinking, she scoops him up and runs inside. The decision is instinctive, maternal, irreversible.


Shelter and Care

Inside the apartment, Cedar lays Oliver on the sofa, strips off his soaked hoodie, and wraps him in blankets. She moves quickly—towels, thermometer, water, soup mix—all while her mind races through possibilities. Missing child? Runaway? A setup?

When she returns, Oliver’s eyes are half-open, watching her through exhaustion. His lips part. “Mommy,” he murmurs again, gripping the edge of her jacket. “Please don’t go away again. Promise?”

Cedar’s throat tightens. The word Mommy shouldn’t pierce her so deeply, yet it does. She has never been anyone’s mother. She’s spent her life being the unwanted child. But at that moment, the roles invert—she becomes the protector.

She smooths his damp hair back and whispers, “I’m right here.”

He relaxes, drifting into feverish sleep, trust written across his small, flushed face.


Inner Conflict — The Heart Awakens

As rain drums against the windows, Cedar sits beside the sleeping boy, trying to process what has just happened. Her logical side insists she must call the police or child services; her conscience insists she can’t risk him being sent back to someone who “doesn’t want him.”

The reflection in the window shows two figures—the woman who has always felt unwanted, and the child who literally embodies abandonment. Their encounter feels like fate’s cruel joke or secret gift.

Cedar remembers her own arrival at the Wright mansion years ago: a silent teenager with a secondhand suitcase, standing on a marble doorstep while Elara smiled for the adoption-announcement photo. The flashbulbs captured charity; no one saw the loneliness behind it.

Now, as she looks at Oliver, she wonders if life has given her a chance to rewrite that story—from the other side.


Symbolism and Subtext

This chapter operates on two levels: the external events of a failed business meeting and a mysterious child’s appearance, and the internal awakening of Cedar’s suppressed humanity.

  • Rain symbolizes cleansing and transformation. When Cedar steps out of the hotel, she leaves behind the toxic expectations of the Wright world. By the time she reaches home, the storm delivers her something unexpected—an opportunity for redemption.

  • Eyes serve as mirrors of truth. Oliver’s blue eyes, identical to Cedar’s, hint at a hidden connection but also reflect her inner child—the part of her that still yearns for love.

  • Names carry weight. “Wright,” the surname she bears, represents correctness, duty, and artifice. “Oliver,” meaning peace or the olive tree, introduces warmth and new beginnings.

Through these motifs, the chapter transforms a realistic corporate drama into something tinged with destiny and emotional mystery.


Themes in Focus

  1. Female Integrity in a Corrupt World
    Cedar’s confrontation with Brad Wilson exposes the everyday compromises women are expected to make in male-dominated industries. Her refusal to trade dignity for advancement defines her moral core.

  2. Conditional Love and Adoption
    The Wright family adopted Cedar to enhance their public image, not out of love. The chapter paints a subtle critique of performative charity and emotional hierarchy within privileged families.

  3. Loneliness and Connection
    Both Cedar and Oliver are abandoned in different ways—she by emotional neglect, he by physical rejection. Their meeting becomes a symbolic bridge between two lost souls.

  4. Identity and Belonging
    Cedar’s dual existence—Wright by name, outsider by feeling—mirrors Oliver’s confusion about parentage. The uncanny resemblance between them hints at deeper questions of origin and fate.

  5. Rebirth through Compassion
    By choosing to care for Oliver instead of preserving her safety, Cedar takes her first step toward personal rebirth. The act of protection becomes her quiet rebellion against a world that taught her to be replaceable.


Character Analysis

Cedar Wright emerges as a complex heroine—strong, principled, yet aching for connection. Her dignity in rejecting Brad Wilson foreshadows her capacity to stand up to the Wrights themselves. The moment she shelters Oliver marks a turning point: she stops seeking validation from those who belittle her and instead listens to her own heart.

Jonathan Wright remains an unseen but powerful presence. His text message encapsulates his character—demanding, transactional, devoid of empathy. He symbolizes the patriarchal voice of capitalism, valuing performance over personhood.

Elara Wright represents cold social ambition. Her manipulation of familial roles (“Family supports family”) turns love into currency.

Selena Wright, though only briefly mentioned, serves as Cedar’s foil: the biological daughter who inherits everything effortlessly.

Brad Wilson embodies systemic sexism and moral rot in corporate culture. His proposition is both a personal violation and a metaphor for how the world tests women’s principles.

Oliver, the mysterious child, operates as the story’s emotional and symbolic catalyst. Whether he is truly related to Cedar or a stranger drawn to her, he forces her to confront buried trauma and to rediscover tenderness.


Narrative Tone and Structure

The chapter alternates between external realism (corporate settings, dialogue, Chicago geography) and internal lyricism (Cedar’s reflections, sensory details of rain and warmth). The pacing mirrors emotional progression: the sterile, tense rhythm of the business meeting dissolves into the intimate, heartbeat tempo of the domestic scene.

This tonal shift underscores the novel’s emerging arc—from a story of professional struggle to one of personal awakening and mystery.


Climactic Image — A Promise in the Rain

The chapter ends on a tender yet unsettling note. Oliver, half-asleep, whispers:

“Please don’t go away again. Promise?”

Cedar answers instinctively, “I’m right here.”

The words seal an unspoken bond. Outside, rain softens into drizzle, as if the city itself exhales. The reader senses that nothing in Cedar’s life will be the same again.

The woman who began the day as a subordinate seeking approval ends it as a protector responsible for another life. The tension between duty and compassion—between the family she was born into by law and the one that has literally arrived at her door—sets the stage for the chapters to come.


Foreshadowing and Future Questions

The closing image leaves several mysteries deliberately open:

  • How does Oliver know Cedar? Are they biologically connected, or has someone manipulated him into finding her?

  • Who is the “father” who no longer wants him—and could he link to the powerful networks surrounding the Wrights?

  • What consequences will Cedar face once Jonathan learns she both lost the Wilson deal and harbored a strange child?

These unanswered questions create immediate narrative tension, promising that the next chapters will merge emotional drama with unraveling secrets of lineage, betrayal, and fate.


Conclusion — The Turning Point

“Chapter 1: Cedar’s POV” functions as a complete emotional arc in itself—a microcosm of the novel’s central conflicts. It begins in a world of commerce and manipulation and ends in a moment of unexpected human connection.

Cedar enters the story defined by others: an adopted daughter, a junior executive, a name on Jonathan’s company letterhead. She exits the chapter defined by choice: a woman who refuses exploitation, defies corruption, and opens her door to vulnerability.

The rain cleanses more than her city streets; it washes away the residue of fear. When she whispers “I’m right here,” it is not only a promise to the fevered boy but a declaration to herself—a vow to stop disappearing inside other people’s expectations.

In a single storm-soaked evening, Cedar transforms from pawn to protector, from unwanted child to reluctant mother figure. And in that fragile, breathtaking transformation lies the seed of everything the story will become.

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